This past weekend I spent in Norwood, at the Lone Cone Dressage Club, for a 3-day clinic with my trainer, Deborah Hindi. The Lone Cone club is one of the most supportive group of riders I’ve ever had the pleasure to meet. They hold monthly clinics, spring through fall with shared potlucks and plenty of mutual encouragement on one’s riding goals and progress. This club goes the extra mile to help each other out, including driving 20 miles out of one’s way to rescue a stranded driver, trailering up a mountain to pick up a participant and her horses when her truck broke down, and graciously inviting me into their homes for meals and a bedroom during the long weekend.
I arrived late on Saturday, so I missed many of the other rides. Since I had sprained my ankle earlier in the week, I had Deb warm up Monarch and school him. She worked the 1/2 steps getting him quicker in the hind end. Then she worked canter. He was hooking his outside hind from the canter depart, thus losing engagement. She told me this behavior was something I had created. I believe it started when we worked on the simple changes (home alone) after the horse show. When she worked the transitions, he also dropped his shoulder coming heavy onto his forehand, losing all impulsion. Because all transitions need to be forward, even the down transitions, Deb told me that it is more important to make the transition with an active hind end- even if Monarch makes trot steps in the simple change. I mistakenly thought I needed to work on eliminating those trot steps. Now I understand that those trot steps will disappear through strengthening and insisting that the half halt comes through. In making both the up transition and the down transition, I mustn’t worry about those errant trot steps. In the down transition, I must continue to half halt, (ignoring the trot steps and sitting quietly) until Monarch proceeds from canter to walk. In the up transition, I must first activate his hind end, even if he is “dancey” behind. The dancey steps will go away when he understands that I am asking for an engaged canter depart from the walk.
Since my ankle was feeling better, I rode Monarch too. When I mounted, she directed me to ride him forward with his neck coming straight from his shoulders. She had me switch from my small spurs to her longer ones. This made him very electric to the aids. I was careful to aid the canter not from the legs, but from the seat bones, so he didn’t hook the outside hind. The depart was initiated by scooping my inside seat bone. To sustain the canter, I planted my outside seat bone down and back, while continuing to scoop with my inside seat bone. If I needed a bit more engagement, I briefly used my inside spur.
On Sunday, we focused on the trot work: shoulder-in, the bends moving in and out of the shoulder-in, and the medium trot across the diagonal. Second Level test 1: movements #4 & #5 have coefficients of 2.
4. K-E Shoulder-in right Angle, bend and balance; engagement and quality of trot 2 4. E Turn right Angle, bend and balance; engagement and quality of trot 2
5. B Turn left Angle, bend and balance; engagement and quality of trot 2
5. B-M Shoulder-in left Angle, bend and balance; engagement and quality of trot 2
The shoulder-in is coming quite well with nice angle and engagement. All the work we did getting Monarch on the outside rein and through the half halt in the leg yield has resulted in a cadenced, correct shoulder-in.
Finally we worked on medium canter to improve my seat. I have had trouble sitting his medium canter without leaning back, which decreases his engagement and quality. I just wasn’t sure where my body needed to be to prevent bouncing in the big trot. I knew I needed to engage my core, but I didn’t realize that I needed to take the same position that I use in a stomach crunch. I was sitting too long and too upright, which put me away from my horse, instead of more deeply into the movement and closer to my horse. Making that small change in my body position made the sitting trot quite easy to sit, though it still requires quite a lot of strength. Sitting across the diagonal from M to K is like doing 20 stomach crunches in quick succession. Practicing several mediums across the diagonal is a strenuous workout! I realized that I needed to go back to my Pilates routine several times/week if I wanted to ride the bigger movements.
Back to work in the canter. We worked on the 10 meter canter circle to the counter canter along the long side. I could not hold him in an engaged 10 meter circle, so he repeatedly broke along the diagonal or in the counter canter.
14. A Circle right 10m Shape and size of circle; bend; quality of canter; balance
15. K-B Change rein Regularity, quality and balance of canter; straightness
15. B-M Counter canter Regularity, quality and balance of canter; straightness
The issue was one of dominance. Monarch is a lovely horse and very fun to ride, but he has always had his own ideas and timetable about the canter. His first level canter has become very forward and fun to ride. Now in second level he needs to collect and engage through the difficult (small) 10 meter circle, then proceed into a counter canter. Whenever Monarch feels the canter work is too hard, his go-to response is to buck. This used to work well for him, because when I had my back injury, I never wanted him to buck for fear he would either hurt me from being bucked off, or he would tweak something if I stayed on and rode out the bucks. I’ve been sitting the bucks for the past few years gaining strength and balance through Deb’s instruction, but he still responds with a buck as his first line of resistance. To keep him active behind, Deb demanded I use my whip. I tapped him repeatedly to get his hind end moving and engaged, which resulted in several bucks. When that didn’t get the expected response, (that I would lessen the pressure to stay engaged through the complete circle), he decided he would simply break from K-B. In the beginning, this was a good strategy for him, as I was quite tired from keeping him engaged through the 10 meter circle. When he began to break out of the circle, Deb upped the ante, insisting that he become even more engaged until we could complete the full movement in both directions. This movement still needs more work, convincing Monarch that he needs to stay honest and engaged through the whole movement. I’m sure it will come, and Deb returns to Montrose this weekend, so we will get more guided practice very soon.
Needless to say the intensity of the work on Monday exhausted me. Rather than relenting, Deb had me return to our medium trot work from the day before. I was glad she did. The medium had become much easier to sit on Monday and used a different set of muscles. It showed me how hard we could work and still be successful. The work at the canter really revved Monarch’s motor. I was told from the auditors that the medium was beautiful to watch- simply poetry. I knew it felt very good; the more a horse uses his back, the easier it is for the rider to sit.
I’m looking forward to this weekend. I will practice what we covered in the Norwood clinic and begin to study the movements in the second level tests more closely.